06072025-LSTC-01.qxd 7/5/2025 10:46 PM Page 1 c m y b SPIN-OFF OF A CLASSIC A spin-off for the small screens of an all-time movie classic, One Flew Over The Cuckoo’s Nest is in the works. The Oscar-winning movie was based on the book of the same title, written by the late writer Ken Kesey. The makers are planning to present the aftermath of the escape from the character Chief’s point of view. TRIBUNE Birthday surprise Life Birthdays usually mean cake, chaos & Instagram stories — but if you’re Ranveer Singh, things come with a twist. This year, director Aditya Dhar planned something wild: a surprise first look of their upcoming film ‘Dhurandhar’, as a personal gift . CHANDIGARH | SUNDAY | 6 JULY 2025 Hollywood, Salman sets eyes on Galwan on her terms Bollywood superstar Salman Khan is all set to don the Army uniform in Apoorva Lakhia’s directorial Battle of Galwan. On Friday evening, Salman took to social media and announced the project by unveiling a powerful motion poster. The announcement video showcases Salman with bloodstains on his face, and sheer patriotism in his eyes. It further elaborates on the film’s theme, which is based on Galwan valley clashes at the India-China border in 2020. Twenty Indian soldiers had died during the Galwan valley clash on June 16, 2020, five years ago, while the Chinese side also faced heavy casualties. Sharing the film’s poster, Salman on Instagram wrote, “#GalwanValley.” Last night, he shared an intense picture of himself on social media. However, it wasn’t just his look but a poster on the table behind Salman that caught everyone’s attention. It’s a poster from his film ‘Battle of Galwan’. “Mehnat karo sahi disha mein. Unhi par woh meherbaan, aur banayega unhi ko unke hunar ka pehelwan (Work hard in the right direction. He will be kind to them and will make them a wrestler of their skill),” He captioned. More details regarding the film have not been disclosed yet. —ANI The actor turns soldier for Apoorva Lakhia’s film, Battle of Galwan Priyanka Chopra Jonas, who is promoting her latest film Heads of State in London, says she tries to take on characters that have agency S UCCESS is constant evolution, says actor Priyanka Chopra Jonas, a popular Hindi cinema star, who is now firmly focused on expanding her filmography in the West. In her latest Hollywood project Heads of State, Priyanka plays Noel Bisset, an MI6 agent with a past with the British Prime Minister Sam Clarke (Idris Elba). The actress said she has had a great run in India and is looking for something similar in her work in Hollywood. “It is constant evolution for sure. I would’ve nevI’m a physical storyteller. WWE is er imagined where I am today entertainment through physical when in 2002, I started my first stories. And what I love the most movie. But I feel like I’m really about action comedy is that it’s nascent in my work in the West so far. I have a major filmography in the language of the world. It my Indian work. I’ve been able to explains the success of the greats work in various genres, work with like Jackie Chan, even Charlie the most incredible actors and Chaplin — before there were filmmakers.” words in the movies. The actor has played central roles in shows and movies such as Quantico, Baywatch, Citadel, The Matrix Resurrections and Love Again. Priyanka said Heads of State, which is now streaming on Prime Video, was a fun film to do. “I want to be proud of the work that I take on. I wrestler before turning to acting, started their try to take on characters that have agency and professional journeys around the same time are strong and have something to do in the in the early 2000s but they first met each othmovies versus being ornamental,” she said. er in the Ilya Naishuller-directed movie. Both Priyanka and Cena, who has a massive “I knew of John from his WWE days in fan following in India for being a WWE India. He’s so well known in the country. It’s hard to not know him, especially when he made his transition into movies. I thought that was very interesting and his choice of parts were great. So, I was very excited to do this movie with him,” she said. Priyanka said her co-star, who has created a niche for himself with his work in the physical comedy space, is “funny in real life” too. “And that helps... When you have good comedic timing in real life, you can improvise on set with that kind of ease,” she added. —PTI 100 years of Krishen Khanna Art is not just about making faces or drawing this or that. It’s the churning of the spirit inside, says the legendary artist SURREAL ENCOUNTER Krishen Khanna is an iconic figure in Indian modern art whose work resonates with a quiet, stirring power. Deeply humanistic and rich with narrative, his paintings explore themes of faith, conflict and the understated poetry of everyday life. The Last Supper from his Christ series holds a special place in my heart. One of my most cherished memories is visiting his studio. As I watched him paint in contemplative silence, lost in thought, it felt surreal. — SHALINI PASSI Mona Krishen Khanna, the painter whose brushstrokes helped draw the contours of Indian modern art, is 100. Still painting, still drawing, still sketching. The last of the surviving modernists and one of India’s most influential artists celebrated his 100th birthday on Saturday, his empathetic brush spanning the history of contemporary India through all its highs and lows. The artist who painted common Indian life on canvas, right from truckwallas, labourers, fisherfolk to fakirs, has been one of the most celebrated artists. He shares his secret, “Art is not just about making faces or drawing this or that. It’s the churning of the spirit inside, which is far more important. Everything else then falls into place.” The artist community and art connoisseurs across India join together to celebrate the milestone year in Khanna’s life — Love his generosity I met Krishen Khanna when MOVING WITH TIMES Krishen Khanna is the only Indian artist who has truly seen it all — from the days of British rule to the turbulence of Partition, through the dramatic shifts of the ’50s and ’60s and beyond. But he hasn’t just lived through history — he’s responded to it, absorbed it and transformed it into art with remarkable awareness and sensitivity. At 100, he’s still evolving, still creating, still moving with the times. That’s what makes him extraordinary — his ability to adapt without ever losing himself. — DIWAN MANNA I was just starting out in this field. Our first meeting was at the RPG Art Workshop in Mumbai. He carried no airs despite being such a celebrated artist. He would mingle freely with young artists like me, generously sharing his experiences and insights — many of which helped shape my own journey. I admire the vibrancy of his palette, and especially drawn to his iconic Bandwallas series. What touched me deeply was his gesture of taking the time to attend and encourage me during my solo show in Delhi. He has continued to inspire and support artists across generations, and his humility and generosity remain as remarkable as his art. — passion, and unwavering dedication to art are infectious. His role in elevating the stature of Indian art on the global stage is significant. — Bheem Malhotra Nabibakhsh Mansoori Krishen Khanna is a visionary who shares his thoughts through art, not just with colour, but with emotion, history, and action. His work reflects the personality, psyche, and contradictions of a nation. A century of master- Infectious energy I hear even at his age Krishen Khanna continues to work every single day — a true source of inspiration for any artist. His energy, A privilege, a celebration c m y b pieces can be found across the globe, and what inspires me most is the deep emotion captured in every piece. I remember studying his iconic Bandwallahs series, a reflection of daily life, migration, music, and the energy brought into any celebration. Celebrating 100 years of Krishen Khanna feels like a privilege. To witness, study, and be influenced by his artistic journey, one that resonates with society and culture, is truly humbling. — Ankita Gupta
The Tribune, now published from Chandigarh, started publication on February 2, 1881, in Lahore (now in Pakistan). It was started by Sardar Dyal Singh Majithia, a public-spirited philanthropist, and is run by a trust comprising four eminent persons as trustees.
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